Woolongong Waves – A Visual Narrative

Life in Sydney, Photographic adventures, photography

21 May 2017 – On an impromptu roadtrip to Canberra, we stopped on the way at the beautiful Woolongong and cheekily made our way down to the off–limits–due–to–storm–damaged–cliffs for some exploring/yoga/photography.

As the tide came up the waves started to crash against the rocks, creating some amazing opportunities for photos. My lovely housemate Sjusanna wanted some shots of her meditating on the cliff with the sea spray behind her, and we got some rippers.

Then this happened, and I have not been able to look at the shots yet without almost peeing my pants in laughter.

Sjusanna-wavenarrative

Not so zen now, hey Sjuzie Q?! Hahahaaaohhahahahahaaa ….uh oh

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Lesson 9 – Narrative

Life Through a Lens

A visual or photographic narrative tells a story through a series of images. The series can be either linear or non linear.

The example above is from a non–linear photo essay by David Wells. His thoughts on the subject are very concise and a great read.

He says of the series:

“…The photos shown here are from my project: The relationship between Israelis and Palestinians. My project proposal for that project says: In 1990, before the first Madrid peace conference, I started photographing the relationship between Israelis and Palestinians. In my experience, the relationship between Palestinians and Israelis is best viewed as a spectrum. At one end of the spectrum is conflict, at the other end of the spectrum is cooperation, intentional attempts at understanding one another through dialogue groups, summer camps, etc. The middle of the spectrum is co-existence, day-to-day interactions in shared working, living, and playing spaces. Coexistence is the heart of the relationship and the part of the relationship that is most ignored in the media at large. Much of my work has been an effort to humanize (sic) both sides. My photographs of the occupation and the forced interaction between Israelis and Palestinians highlight the problems, while images of their intentional, chosen interactions show the positive possibilities. It is very telling that when I disseminate my work, in and out of the Middle East, viewers are surprised by their inability to tell Palestinian from Israeli, reminding viewers of the similarity between the two. My goal was to put a human face on the struggles for Middle East peace and to educate people both in and outside of the Middle East…” Read the whole article here.

Here is an example of a linear narrative by Duane Michals:

andywarholeatsbanana

For my photo narrative, I have included a scene which occurred the other weekend on Good Friday, when a group of friends who are still getting used to the encroachment of kids on their lives, bore witness to a miniature scene of bullying play out before them. I was photographing willy nilly and a little bit tipsy at the time, but found it intriguing that I did not fully realise what had actually happened until later, when reviewing the shots:

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…Poor kid!